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	<title>The Art of Vintage Quilts &#187; Quilting Art Techniques</title>
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		<title>Color Facts For Quilters by Lily Kerns</title>
		<link>http://www.artofvintagequilts.com/2008/02/12/color-facts-for-quilters-by-lily-kerns/</link>
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		<pubDate>Tue, 12 Feb 2008 15:16:56 +0000</pubDate>
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				<category><![CDATA[Quilting Art Techniques]]></category>

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		<description><![CDATA[Summary of Color Facts for quilters: 4 Ways of Describing Color, Using A Color Wheel, Using Colors Together, and Three "Rules" to Remember. ]]></description>
			<content:encoded><![CDATA[<p><strong>Summary of Color Facts</strong> by Lily Kerns</p>
<p>Note: Lily’s Creative Color class at <a href="http://quiltersuniversity.com" title="Quilters University">Quilters University</a> begins March 8th</p>
<p><span style="font-size: 18pt; color: #ef1f1d">4 Ways of Describing Color</span></p>
<p>1. RGB- refers to colored light as in TV&#8217;s and computer monitors; Primaries= Red, Green, Blue</p>
<p>2. CYMK- refers to printers and photographers inks; Primaries= Cyan, Yellow, Magenta (plus black)</p>
<p>3. RYB- This is the color wheel you learned in grade school; Primaries= Red, Yellow, Blue</p>
<p>4. HSV- describes any color in terms of three qualities- Saturation, Value</p>
<p>You can describe any color in any of these four ways- it&#8217;s still the same color!</p>
<p><u>Hue</u>- refers to the quality that gives a color its name- red-red orange rather than just red-orange. Color isn&#8217;t a space on a color wheel &#8211; its a continuum. There&#8217;s an unlimited number of variations between red and orange (even though the human eye can&#8217;t distinguish them all.)</p>
<p><u>Value</u>- refers to the relative lightness or darkness of a color as compared to black and white. Pink is a light to medium value, dusty rose is somewhere in the middle and maroon would be a dark value. A series of values from black to white is called a &#8220;value scale&#8221;. Every hue may have an unlimited number of values.</p>
<p><u>Saturation</u>- (also called chrome, purity, strength, dullness and other terms)- refers to the amount of black, white or gray mixed with a hue. Pure red is highly saturated; maroon has black added (and therefore includes less red); pink may have varying amounts of white added; a dusty rose has varying amounts and/or values of gray added.</p>
<p>Adding black to a color creates a &#8220;shade&#8221;.<br />
Adding white to a color creates a &#8220;tint&#8221;.<br />
Adding any value of gray creates a &#8220;tone&#8221;.<br />
Any hue may have an unlimited number of tints, tones, and shades.</p>
<p><span style="font-size: 18pt; color: #ef1f1d">Using A Color Wheel</span></p>
<p>Color wheels do not exist in nature, but are useful in describing the visual relationships between colors.</p>
<p>&#8220;Color warmth&#8221;- This quality exists only in comparison with another color. Yellows and oranges are considered the warmest (most like sunlight). Blues and blue violets are considered cooler. But a greenish blue may seem warmer, in context, than a violet blue.</p>
<p>Neutral colors- Technically, black , white and gray are not considered colors; practically, they are useful and necessary colors.</p>
<p>Primary colors- In working with pigments (paints and dyes), red, yellows, and blue (or cyan, yellow, and magenta) are the only three colors that can not be mixed by combining two other pigments.</p>
<p>Secondary colors- Orange, Green, and Violet are created by mixtures of two primaries.</p>
<p>Black- If our pigments were perfect colors, you could mix black by combining the three primary colors.</p>
<p>&#8220;Mud&#8221;- This is what you get when you mix three primaries red + yellow + blue (or by using any combination of those pigments.) However, these muddy or subdued or dulled colors- much better to call them &#8220;Tones&#8221;- are invaluable.</p>
<p><span style="font-size: 18pt; color: #ef1f1d">Using Colors Together</span></p>
<p>Complementary colors- Any two colors opposite each other on the color wheel. Red/Green; Orange/Blue; Yellow/Violet; Blue-green; red-orange, etc.</p>
<p>Analogous colors- any 3-4 colors adjacent to each other&#8211;Orange, red-orange, red, red-violet</p>
<p>Monochromatic- Variations of one color</p>
<p>Triad- Three colors an equal distance apart on the wheel. Exciting color combinations may be discovered when the colors used are not exactly equidistant&#8211;a &#8220;skewed&#8221; triad. Suggestion: Use one of the colors in purer, cleaner form&#8211;pure and/or tints/&#8211;and the other 2 in subdued or grayed form&#8211;tones and shades. Brown for example is a shade of orange (a variety of oranges, actually), beige and tan are tones of orange, while peach is more of a tint. Combine these with almost any other colors on the wheel.<o></o></p>
<p><span style="font-size: 18pt; color: #ef1f1d">Three &#8220;Rules&#8221; to Remember</span></p>
<p>1. Every quilt should include some &#8220;grays&#8221; (i.e. some tones-subdued colors)<o:p></o:p></p>
<p>2. If the values are right, the colors will work (even when they are wildly &#8220;unrealistic&#8221;-provided you&#8217;ve also used less saturated colors.)</p>
<p>3. Small amounts of cleaner brighter and warmer colors will give a quilt sparkle; small amounts of cleaner, cooler colors in the shadows will add vibrancy to your colors.</p>
<p>©1997 Lily M. Kerns</p>
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